The Supremes
Mary was mysterious,
but the best dancer
Diana, the magnetic,
cooing romancer—
But, here’s a secret I know:
cats like me dug Miss Flo—
And the 4th Supreme’s ‘fro!
The 4th Supreme came
Singing tones ‘tween
Douglass and Carmen McRae—
Malcolm X and Lady Day
The 4th Supreme came
Singing “Stop In The Name Of Love!”
by way of Brandeis/Bombing-ham—
hitting Dynamite Hill high notes
The 4th Supreme came
Singing “Reflections”
in silver bracelets, on a
Newsweek cover captioned:
“Red, Black and Wanted!”
Hoover hated her harmonies with millions…
But I heard, “Set me free, why don’t you, babe?”
Rocking me to “ …Try Something New:”
Dialectics…
The 4th Supreme came
Singing, “I Hear A Symphony—”
“No Matter What Sign You Are,”
in ’08—but I
forgive her and comrades
and friends for singing flat
Madison Avenue smash hits: “Yes,
we can and bottle Jim Jones Juice;”
“regime Change you can believe in—”
delivering “Nothing But Heartaches” to
Honduras, Libya, Syria, Mother Africa…
© 2018. Raymond Nat Turner, The Town Crier. All Rights Reserved.
Raymond Nat Turner, our poet in residence, is an accomplished performing artist. You can find much more of his work at http://upsurgejazz.com.
International media engaged in Sinophobic rhetoric during the recent Olympic games in Tokyo.
Creating alternative spaces for Black people to gather free from interruption or regulation.
The politics of fat shaming is tied to anti-Black racism.
BAR's poet in residence composes a lyrical and musical tribute to Glen Ford. …He’s leaving (Leaving) On that Midnight Train To Georgia
Ford was among the few journalists who took a stance for Black liberation and against imperialism.
