Stable working class neighborhoods are the bane of speculators, developers and capitalist politicians.
Lording over the landscape like giant
Insects sucking soul, blood, chocolate
into multi-colored mushrooms
Metastasizing citywide.
Officers ordering vacant storefronts,
lined up like soldiers, to make money,
while brothers with cupped hands
platoon on plastic crates at entrances to
$4-a-cup coffee shops with belligerent baristas.
Beneath fiery crimson skies,
afternoon freeways are fuming parking lots.
Capitalism’s poisoning water and air,
and ignorant exploiters don’t care!
Pyramids and huts; tuxes and tails,
unwashed butts—tents and jails.
First come the cranes—then the
Tents, skyrocketing mortgages—then the
Rents… money, money, money for military
Bases in far off places—but, it’s “Pie in the
sky,” to demand affordable living spaces!
Basketball team’s outgrown The Town,
football team’s slipping off to Sin
City after slurping at the trough…
Capitalism’s poisoning water and air,
and ignorant exploiters don’t care!
Pyramids and huts; tuxes and tails,
unwashed butts—tents and jails.
First come the cranes—then the
Tents, skyrocketing mortgages—then the
Rents… money, money, money for military
Bases in far off places—but, it’s “Pie in the
sky,” to demand affordable living spaces!
And we play dress-up in grown folks’ clothes—
Tiny red, white and blue stickers— pretending
we’re fixing it in 20 minutes… every 2-4 years …
© 2018. Raymond Nat Turner, The Town Crier. All Rights Reserved.
Raymond Nat Turner is an acclaimed poet and performing artist. You can find much more of his work at http://upsurgejazz.com.
Just like we glorified the black leather jackets, black berets, and guns in the 60s, we still romanticize African people with guns and mouths that fire more inaccurately than the guns they carry.
The martyred revolutionary’s assassination has finally been acknowledged by the Guyana state, and his works will become part of the educational curriculum.
To break cyclical, systemic oppression requires a functionality that rejects reified notions of governance, global capitalism, and accommodation.
Jazzman William Parker’s work is a bold art of resistance to capitalism, colonialism, racism, and the runaway train that is our present-day America.
Ruth Maclean’s article, like countless others in Western media, took place in an Africa without leaders, without public health officials or activists.
