Alchemy of money
transforming repulsive,
ugly, hideous human forms into
Powerful producers, reality TV stars,
Super predator presidents,
Multimillionaire quarterbacks,
Elected officials, political operatives,
Oscar-winning actors—
boys being boys
following footsteps of
The Founding Fathers:
He stepped up to
the auction block and
grabbed her breast, her pussy;
As part of doing business—so
stealing away from the big house
in wee hours,
slipping into darkness
an unwanted hand under an
unsuspecting dress, into pants
groping, penetrating, any time, any
Kidnapped
body he bought, sold, owned,
Was part of doing business—
slamming her coca-colored face
into his unwashed crotch,
fulfilling his fantasies,
Wasn’t out of the ordinary:
Powerful producers, reality TV stars,
Super predator presidents,
Multimillionaire quarterbacks,
Elected officials, political operatives,
Oscar-winning actors
have big shoes to fill:
following footsteps of
The Founding Fathers
Raymond Nat Turner © 2017 All Rights Reserved
Just like we glorified the black leather jackets, black berets, and guns in the 60s, we still romanticize African people with guns and mouths that fire more inaccurately than the guns they carry.
The martyred revolutionary’s assassination has finally been acknowledged by the Guyana state, and his works will become part of the educational curriculum.
To break cyclical, systemic oppression requires a functionality that rejects reified notions of governance, global capitalism, and accommodation.
Jazzman William Parker’s work is a bold art of resistance to capitalism, colonialism, racism, and the runaway train that is our present-day America.
Ruth Maclean’s article, like countless others in Western media, took place in an Africa without leaders, without public health officials or activists.
