by BAR poet in residence Raymond Nat Turner
in which the poet muses upon the landscapeve in which urban pioneers thrive
Oink
by BAR poet in residence Raymond Nat Turner
I saw Satan high on Seconal—‘Red
Devils’—zap an app for zombie-settlers.
Then they came by covered wagon,
stagecoach, horseback—bathed, and
reinvented themselves as programmers,
humans, condo-owners.
I saw rent refugees morph into miserable
Monsters—vapid vampires sucking soul,
air and chocolate out Tha Town. I saw them
turn into werewolves on Lakeshore, pushing
porcelain babies in thousand dollar strollers;
stressed-out Yogis practicing purse-clutching,
street-crossing, stink-eye Spiritualism on children
and grand-children of seventy-year residents.
I saw Dadaists driving drunk the wrong way on
10K gold-paved streets, killing dance masters,
like policemen gunning down painters as a form
of critique
I saw the Best Burrito Shop, The5th Amendment,
and Africa By The Bay run off The Ave; their places
Taken by caffeine shooting galleries and Boer beer
bars for rent refugees trekkking 13 miles, bringing
Butte with them.
I saw nextdoor.com Nazi-NSA impersonators circle
laager between OPD cruisers and string yellow tape
around drumming, dancing, BBQing, singing Gospel
and other verbs modified by the phrase: “…while Black”
Raymond Nat Turner © 2015 All Rights Reserved
The Axis of Resistance has forged a path of self-sufficiency that turned Iran into a power capable of challenging U.S. and zionist power.
Black youth fed xenophobia instead of international solidarity become military pawns who risk their own lives and their people's liberation.
Gulf states like Qatar and the UAE have built a system where migrant workers perform the productive labor while being stripped of their legal and human rights.
St. Vincent legalized medicinal cannabis in 2018, but the industry cannot take off while US warships enforce a blockade. A nation cannot build a legal economy under military threat.
“Cuba en la encrucijada de un multilateralismo hipócrita,” by Josué Veloz Serrade, appeared on La Tizza on 17 March 2026.
