by Raymond Nat Turner
Bomb 'em to stone man
Free-fire zone man
Jim Jones man
Villain called Drone Man
Wrong Song In The Key Of Death
(Call The Villain)
by Raymond Nat Turner
Flaming grooves burning lard off
Drumsticks and gyrating boo-tays;
Lush chords working their ways
Through Jazz clubs and churches;
Melodies reeling ribbons in from
The sky---Genius of the giant,
Master Blaster, Sir Duke of our times!
But picking politicians,Stevie's either a
Dupe, dope, dunce or dilettante played
By star-spangled charlatans---corporatists
Cloaked in Populist cotton, like Chippendale
Dancers wearing suicide vests, Senors signed,
Sealed and delivered to celebrity-worshipers by the 1%:
Like a relatively unknown man
A hugely overblown man
A corporate grown man
Political clone man
Like a Skull & Bone man
A Rhine-stone man
Testosterone man
Bellicose tone man
Bomb 'em to stone man
Free-fire zone man
Jim Jones man
Villain called Drone Man
Call the villain Drone Man
Call the villain Drone Man...
Raymond Nat Turner (c) 2012 All Rights Reserved
Immigrants that moved to Britain as children were deported to Jamaica as “foreign criminals.”
The celebration of Isabel Wilkerson’s Caste reflects the continued priority of elite preferences over the needs and struggles of ordinary people.
A significant portion of sports franchise wealth can be traced directly to the oppression and displacement of Black and Brown bodies.
To understand why COVID-19 killed so many young Black men, you need to know the legend of John Henry. “Covid-19 is a new gear in an old machine.”
Black labor militants, many of whom were Communists, were the key to building the CIO in the South.
