by Raymond Nat Turner
Bomb 'em to stone man
Free-fire zone man
Jim Jones man
Villain called Drone Man
Wrong Song In The Key Of Death
(Call The Villain)
by Raymond Nat Turner
Flaming grooves burning lard off
Drumsticks and gyrating boo-tays;
Lush chords working their ways
Through Jazz clubs and churches;
Melodies reeling ribbons in from
The sky---Genius of the giant,
Master Blaster, Sir Duke of our times!
But picking politicians,Stevie's either a
Dupe, dope, dunce or dilettante played
By star-spangled charlatans---corporatists
Cloaked in Populist cotton, like Chippendale
Dancers wearing suicide vests, Senors signed,
Sealed and delivered to celebrity-worshipers by the 1%:
Like a relatively unknown man
A hugely overblown man
A corporate grown man
Political clone man
Like a Skull & Bone man
A Rhine-stone man
Testosterone man
Bellicose tone man
Bomb 'em to stone man
Free-fire zone man
Jim Jones man
Villain called Drone Man
Call the villain Drone Man
Call the villain Drone Man...
Raymond Nat Turner (c) 2012 All Rights Reserved
Slow-witted Joe Biden appears to think that we’re still in the age of the sole superpower, when in fact that era has come and gone.
Neither AOC nor the rest of the Squad has mounted any significant challenge to the party’s corporate leadership, despite being elected for this exact purpose.
A pamphlet written 70 years ago by an exiled Black American communist reveals an African continent seething to break free from European colonization.
The real story of the Rwandan genocide begins in 1990, when exiled Tutsis from Uganda invaded northern Rwanda, unleashing a deadly campaign that uprooted a million Hutu peasants and set ethnic tens
Northeast, midwest, southwest, south, down south, up south, out south—south of the Canadian border—Slouched down in his cruiser, slow-rollin’ the ‘hood; Or a-
