by Raymond Nat Turner
Bomb 'em to stone man
Free-fire zone man
Jim Jones man
Villain called Drone Man
Wrong Song In The Key Of Death
(Call The Villain)
by Raymond Nat Turner
Flaming grooves burning lard off
Drumsticks and gyrating boo-tays;
Lush chords working their ways
Through Jazz clubs and churches;
Melodies reeling ribbons in from
The sky---Genius of the giant,
Master Blaster, Sir Duke of our times!
But picking politicians,Stevie's either a
Dupe, dope, dunce or dilettante played
By star-spangled charlatans---corporatists
Cloaked in Populist cotton, like Chippendale
Dancers wearing suicide vests, Senors signed,
Sealed and delivered to celebrity-worshipers by the 1%:
Like a relatively unknown man
A hugely overblown man
A corporate grown man
Political clone man
Like a Skull & Bone man
A Rhine-stone man
Testosterone man
Bellicose tone man
Bomb 'em to stone man
Free-fire zone man
Jim Jones man
Villain called Drone Man
Call the villain Drone Man
Call the villain Drone Man...
Raymond Nat Turner (c) 2012 All Rights Reserved
“The ‘hate speech’ trick, in practice, rewards Black people’s occupiers and abusers (the police) and renders voices of protest illegitimate and mute.”
“The move against Alex Jones will be used to defend further censoring of left wing voices.”
One of the many thousands of diplomatic cables that Wikileaks released between February 18, 2010, and September 1, 2011 revealed the lie beneath Rwanda's shiny surface.
“No political movement in the US exists to stop the Deep State from suppressing the content and ideology of Black Agenda Report or even Black Lives Matter as agents of the Kremlin.”
“If the Movement for Black Lives can indirectly lead to an expanded sphere of safety for white women of a certain class status, with no commensurate enhanced protection for black people
