by Raymond Nat Turner
Bomb 'em to stone man
Free-fire zone man
Jim Jones man
Villain called Drone Man
Wrong Song In The Key Of Death
(Call The Villain)
by Raymond Nat Turner
Flaming grooves burning lard off
Drumsticks and gyrating boo-tays;
Lush chords working their ways
Through Jazz clubs and churches;
Melodies reeling ribbons in from
The sky---Genius of the giant,
Master Blaster, Sir Duke of our times!
But picking politicians,Stevie's either a
Dupe, dope, dunce or dilettante played
By star-spangled charlatans---corporatists
Cloaked in Populist cotton, like Chippendale
Dancers wearing suicide vests, Senors signed,
Sealed and delivered to celebrity-worshipers by the 1%:
Like a relatively unknown man
A hugely overblown man
A corporate grown man
Political clone man
Like a Skull & Bone man
A Rhine-stone man
Testosterone man
Bellicose tone man
Bomb 'em to stone man
Free-fire zone man
Jim Jones man
Villain called Drone Man
Call the villain Drone Man
Call the villain Drone Man...
Raymond Nat Turner (c) 2012 All Rights Reserved
Mumia Abu Jamal on the passing of Black music great Aretha Franklin: “She returns to the celestial choir after 76 summers of earthly life.”
“Those hearings that are coming up on August 30th could lead to a new trial for Mumia,” said Orie Lumumba, of Family and Concerned Friends of Mumia Abu Jamal.
The underground radicals of the 1960s and 70s were prescient in their political analysis, according to Stephen Dillon, author of Fugitive Life: The Queer Politics of the Prison
Wall Street bankers brought their brand of racism to the US imperial project in the Caribbean and Latin America, said Peter James Hudson, author of Bankers of Empire: How Wall
“The whole imperialist system is in a state of severe crisis,” said Black Is Back Coalition chairman Omali Yeshitela, at the coalition’s annual conference, in St. Louis.
