by Raymond Nat Turner
Bomb 'em to stone man
Free-fire zone man
Jim Jones man
Villain called Drone Man
Wrong Song In The Key Of Death
(Call The Villain)
by Raymond Nat Turner
Flaming grooves burning lard off
Drumsticks and gyrating boo-tays;
Lush chords working their ways
Through Jazz clubs and churches;
Melodies reeling ribbons in from
The sky---Genius of the giant,
Master Blaster, Sir Duke of our times!
But picking politicians,Stevie's either a
Dupe, dope, dunce or dilettante played
By star-spangled charlatans---corporatists
Cloaked in Populist cotton, like Chippendale
Dancers wearing suicide vests, Senors signed,
Sealed and delivered to celebrity-worshipers by the 1%:
Like a relatively unknown man
A hugely overblown man
A corporate grown man
Political clone man
Like a Skull & Bone man
A Rhine-stone man
Testosterone man
Bellicose tone man
Bomb 'em to stone man
Free-fire zone man
Jim Jones man
Villain called Drone Man
Call the villain Drone Man
Call the villain Drone Man...
Raymond Nat Turner (c) 2012 All Rights Reserved
The author argues that decollectivization served as the political basis for the capitalist transition in China.
It is critical for Black feminists to be passionately involved in creating a global community of voices.
Donald Trump’s resort to protectionism is recognition of having reached this cul-de-sac.
A majority of Sanders supporters are non-white, in contrast to all the other top tier candidates, including Kamala Harris.
The #No More Trump campaign is a defiant appeal to stand with the people of Venezuela, to oppose Trump’s war of attrition against this heroic sovereign nation.
