Indigo Blues
(Dedicated to ancestor Dr. Amos Wilson)
(the audio of this poem is temporarily unavailable)
It started benign enough with a financial gift
to help establish
a research facility
then the
announcement of the cloning of Dolly the sheep
then the
cloning of animal meat for human consumption
as time passed or as economic political strife grew
some institute
think tank
academic
bureaucrat
strategist
came up with the “brilliant”
idea
let’s clone a labor force
for our national betterment
to make the clones readily identifiable
they decided to make the clones’ skin tone blue
however after objective analysis and rational thought
the cost of indigo was cost prohibitive
so they scrapped the plan and settled on using you.
By Kemit Mawakana (aka The Seven-Foot Poet)
Peace (when appropriate) War (when necessary)
Copyright 2004.
Kemit Mawakana (aka “The Seven-Foot Poet”) is a highly acclaimed spoken-word artist, and has published two books A . . . Z . . . Infinity and Crucifixion of My Soul. The collective body of his works presented weekly in BAR are in tribute to Listervelt Middleton, Dr. John Henrik Clarke, and “For The People”. Currently, he is a facilitator at AYA Educational Institute (www.ayaed.com) and can be reached at sevenfootpoet@gmail.com.
The late Glen Ford would probably refer to events in Niger, Mali, Burkina Faso, Guinea, and elsewhere as the “blowback” from France’s colonial past.
“The structural crisis of capitalism in its neoliberal form has created a legitimacy crisis for the capitalist rulers, making the use of force a permanent strategy for maintaining their dominance.”
It would be a bad look for the U.S. or a European nation to be the public face of the impending occupation of Haiti. That's why Kenya was asked to help the make case for a new invasion.
This week’s featured author is Milagros Denis-Rosario. Denis-Rosario is Associate Professor of History in the Department of Africana, Puerto Rican, and Latino Studies at Hunter College of the City…
“…most slave children were prohibited from learning to read or write…” —James Mellon, Editor of Bullwhip Days
