If you don't see the video above, click here.
Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Isaac Saney is a Cuba and Black studies specialist and historian at Dalhousie University in Halifax, Nova Scotia, Canada.
We now turn to a discussion of Albina, a Black community in Portland, Oregon which was devastated by so-called urban renewal in the 1950s and 1960s. The final blow came in the early 1970s, when an…
We are joined by Elizer Darris, Co-Executive Director of the Minnesota Freedom Fund (MFF).
The U.S. got more than it bargained for after instigating the Ukrainian conflict. The Biden foreign policy team grows more desperate and their plans become more dangerous as they reckon with the…
Kwame Ture reminds us that the Black university is a place of contradictions – and a potential site of struggle.
