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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
This week’s featured author is Danielle N. Boaz. Boaz is Associate Professor in the Department of Africana Studies at the University of North Carolina at Charlotte. Her book is Banning Black Gods:…
Peru's coup government and its president Dina Boluarte remain in power despite the deaths of protesters and planned mobilizations for the Third Takeover of Lima.
The Juneteenth holiday is an opportunity to delve into Black history in a serious way. Unfortunately, the designation of a federal holiday has trivialized Juneteenth's meaning and given license to…
Ja Morant plays basketball in Tennessee, an "open carry" state with lose firearm regulations. But the issue of Black people carrying guns is not one of strict legality. Racism is also the issue.
This episode of Black Republic Media is the second in a series entitled, Murder Inc: The White Settler Republic as Homicidal Maniac.
