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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Remembering France’s odious participation in the 2004 coup d’etat in Haiti.
Jemima Pierre’s presentation at a forum to commemorate the US-France-Canada-sponsored 2004 coup d’état in Haiti. The forum was hosted by the Center for Caribbean Studies at the University of Toronto…
Ann Garrison spoke to Eritrean British attorney Feven Yemane regarding attacks on Eritrean diaspora festivals and gatherings and the investigations underway.
"United Nations Negroz" is the latest poem from our Poet-in-Residence, Raymond Nat Turner.
From the moment the first colonizers arrived in the Caribbean, the West has treated the region as a treasure chest for resource extraction and labor exploitation.
