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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
The recent drone strike on World Central Kitchen workers exposed that organization's collusion with the Israeli and U.S. governments.
The United States uses its power within the United Nations and the concept of human rights to cover its plans for regime change.
The deaths of the six Latino immigrant workers in the Baltimore bridge collapse encapsulates the injustice inherent in the U.S. capitalist system.
This week, BAR's poet-in-residence discusses his work, we learn why Bill Clinton, the CIA director and Tony Blair recently visited Guyana. First, the Black vote and election year politics in Michigan.
Abayomi Azikiwe, editor of Pan-African News Wire joins to discuss Michigan's Black voters, the Abandon Biden campaign, and the prospects for the swing state in the 2024 presidential election.
