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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
To understand the current uprisings in New Caledonia, one must look back at the history of colonization and violent repression of the islands by France.
There is a close connection between the Pan-Africanist Movement and the current struggle to end the genocide in Gaza
The violence unleashed by Zionism and US imperialism can only be combated through mass organized political activity united in a commitment to toppling these forces.
What are the roots of Haiti’s prolonged crisis? Haitian-American scholar Jemima Pierre takes us through the history of how the West underdeveloped the country, from French colonial looting and debt…
This week we discuss a lawsuit that seeks to force New York City to end patterns of segregation in its public school system.
