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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
As a Black army of mercenaries from Kenya, Barbados, Jamaica, and elsewhere arrives to continue the West’s colonial project in Haiti, we remember the history of the 1802 mutiny of African soldiers at…
The US is behind the multinational military invasion and occupation of Haiti. How did we get here?
Morehouse College professors protested US complicity in Congo Genocide by unfurling a Congolese flag behind Joe Biden as he addressed the 2024 graduating class. A brief, quixotic coup took place in…
Ajamu Baraka, Black Agenda Report contributing editor, discusses his thoughts on the request for International Criminal Court (ICC) arrest warrants for Israeli and Hamas officials with Executive…
"Boss Tweet’s Trial V. Trial of a Freedom Fighter" is the latest from BAR's Poet-in-Residence.
