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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
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The election interference and subsequent US backed protests in Venezuela are another attempt to destabilize the nation and stop the ongoing Bolivarian Revolution. But the masses will remain strong.
AFRICOM is growing more bold in its attempts to maintain dominance over the African continent. Now is the time for Pan-African and Black Nationalist forces to organize to sabotage those efforts…
The Democratic Party dug its own grave decades ago when it began trying to siphon from the GOP by appealing to conservatives and ignoring the needs of its strong base of African American people.
