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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
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To honor Kwame Ture is to condemn Zionism. Yet the lecture bearing his name platformed a speaker who calls anti-Zionism 'hate', erasing Ture’s clarity that Palestine’s liberation is inseparable from…
Decades of U.S. military aid and Israeli occupation created the conditions for the attack on Iran in an unbroken chain of imperial violence.
When oppression becomes unbearable, resistance erupts. The uprising at Delaney Hall exposes the brutality of immigrant detention and the power of collective defiance.
Three informed Arab officials, in touch with both the US and Iran, tell Middle East Eye that the White House appears to be moving closer to 'backing up' Israel.
