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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Ajamu Baraka, BAR Editor and Columnist, joined Jamarl Thomas to discuss U.S. decline into overt fascism, the proxy war in Ukraine, and the regime change campaign against Venezuela.
The most recent No Kings march will hopefully be the last. A Democratic Party get out the vote effort is a show that obscures and obstructs the real work of organizing.
“Long live the Grenadian revolution! Long live the militant unity and solidarity of workers internationally!”
The US has negotiated ceasefires in Gaza and the DRC’s eastern Kivu Provinces, but the killing, displacement, and devastation in both continue.
"Did you see an infantile, juvenile flight of fancy?" is the latest from BAR's Poet-in-Residence.
