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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
"Ethnic cleansing called Katrina" is the latest from BAR's Poet-in-Residence.
Jaribu Hill, Executive Director of the Mississippi Workers’ Center for Human Rights, recounts the aftermath of Hurricane Katrina on the Gulf Coast and the efforts to organize on behalf of the people.
"Racism showed its ass in the days after August 29, 2005."
The official response to Katrina was a catastrophic failure of the state. The real story of survival was written by a coalition of the discarded—ex-offenders and Black churches—who built their own…
The U.S. is a purveyor of global violence, as illustrated by the intensifying militarism in the Caribbean and targeting of Venezuela. The struggle to establish a Zone of Peace directly challenges…
