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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
The rhetoric of crime prevention has always served to enforce colonial order. Today, this same logic drives the policing of Black neighborhoods as a form of urban pacification.
A federal crackdown in Washington, D.C., is escalating a bipartisan war against the Black working class. This assault, enabled by local Black misleadership, exposes the colonial nature of policing.
Charlie Kirk's assassination has become the pretext to accelerate a pre-existing fascist agenda, targeting a broad spectrum of forces, from leftist organizers to mainstream institutions.
Walkouts in over 60 cities disrupted trains, ports, and schools to protest Israel’s genocide in Gaza.
The ongoing hybrid war against Venezuela exemplifies imperialism’s evolving tactics for regime change used against Global South nations.
