The Supremes
Mary was mysterious,
but the best dancer
Diana, the magnetic,
cooing romancer—
But, here’s a secret I know:
cats like me dug Miss Flo—
And the 4th Supreme’s ‘fro!
The 4th Supreme came
Singing tones ‘tween
Douglass and Carmen McRae—
Malcolm X and Lady Day
The 4th Supreme came
Singing “Stop In The Name Of Love!”
by way of Brandeis/Bombing-ham—
hitting Dynamite Hill high notes
The 4th Supreme came
Singing “Reflections”
in silver bracelets, on a
Newsweek cover captioned:
“Red, Black and Wanted!”
Hoover hated her harmonies with millions…
But I heard, “Set me free, why don’t you, babe?”
Rocking me to “ …Try Something New:”
Dialectics…
The 4th Supreme came
Singing, “I Hear A Symphony—”
“No Matter What Sign You Are,”
in ’08—but I
forgive her and comrades
and friends for singing flat
Madison Avenue smash hits: “Yes,
we can and bottle Jim Jones Juice;”
“regime Change you can believe in—”
delivering “Nothing But Heartaches” to
Honduras, Libya, Syria, Mother Africa…
© 2018. Raymond Nat Turner, The Town Crier. All Rights Reserved.
Raymond Nat Turner, our poet in residence, is an accomplished performing artist. You can find much more of his work at http://upsurgejazz.com.
This week’s featured scholars are Alex A. Moulton and Inge Salo. Moulton is an Assistant Professor at Hunter College. Salo is a PhD student in Geography at Clark University. Their article is “Black…
The migrant crisis in New York City is a multifaceted issue, rooted in a complex interplay of domestic and international politics and policies.
It doesn't matter if China and Caribbean nations may want to have friendly relations and economic cooperation. Washington wants nothing of the sort and undermines what could be mutually beneficial…
Kenya has chosen its side. That nation has agreed to give cover for the next occupation of Haiti by providing a Black face for imperialism.
U.S. and African puppet regime threats against Niger and all African states must be condemned.
