Xavier Livermon, professor of African Diaspora Studies at the University of Texas at Austin, sees “many parallels” between the US-based Hip Hop phenomenon and the Kwaito music beloved by young South Africans. LIvermon is author of the book, “Kwaito Bodies: Remastering Space and Subjectivity in Post-Apartheid South Africa.” Livermon doesn’t see Kwaito as purely commercial and self-commodification. “South African youth play with and engage the system,” he said, “but also push back against it.”