The US film industry is more open to Black themes and participation than in the past, but still has not answered the question of what kind of society it will project, said Maryann Erigha, a professor of sociology and African American Studies at the University of Georgia, and author of the new book, “The Hollywood Jim Crow: Racial Politics of the Movie Industry.” “Is it a sanitized whiteness, is it a whitewashed vision, or can we have this unapologetic Blackness, and that just be part of the American cultural canon?”
The inhabitation of the un-gender-specific and “fungible” also mapped the affective grounds for imagining other qualities of life and being for those marked by and for captivity.
The surge of attention to the Israeli occupation is unimaginable without last year’s “George Floyd” protests.
The corporate sports media practices a kind of settler state “Orientalism,” blaming black players for the ills of an industry owned by rich white men.
The US claims that it respects the international rule on law, but instead makes up the rules as it goes along, resulting in the death of millions.
