Bird, strings, Big Chief: 100: Harlem (For Charlie Parker/Donald Harrison/Harlem Symphony Orchestra) | Black Agenda Report

Bird, strings, Big Chief: 100: Harlem (For Charlie Parker/Donald Harrison/Harlem Symphony Orchestra)

Raymond Nat Turner, BAR poet-in-residence

08 Sep 2021

🖨️ Print Article

Photo: Janine Robinson

Bird, strings, Big Chief: 100: Harlem

(For Charlie Parker/Donald Harrison/Harlem Symphony Orchestra)

Gathering witnesses bearing beautiful collisions—

Kansas City, New Orleans, Harlem—in Harlem. Only

Harlem fetes YardBird in Marcus Garvey Park. Only

Harlem has Big Easy Chief of Congo Nation do the

honors. It’s still a COVID 19 scene and Black masking’s

an act of communal resistance…

It’s still a COVID 19 scene and the virus’s variations

are playing “Giant Steps” within Monk’s complicated

compositions. It’s still a COVID 19 scene and greed

driven confederate governors are playing with lives;

Playing simple songs sounding like “Mississippi Hot-

dog”/“Twinkle Twinkle Little Stars and Bars…”

Spy Boys check Jazz Tribe temps and statuses.

They buy Big Chief time to procure and secure

Suspenders; adjust his invisible headdress and

prepare sacred songs for meeting The Peoples’ Tribe.

Charlie Parker’s music’s magic—Blues magnet gathering

grassroots, salt of the earth—Harlem’s finest—like

shavings of steel hardened by white heat and hammer

A drizzle decrescendos and morphs into the perfect

prelude, into micro climate mist—handing humidity a

rare defeat. The weather’s a bittersweet reminder of

Impermanence. Change—spiraling lower to higher—birth

to death; reminding us who are “Just Friends,” “Now’s

The Time” to connect—this evening’s the only time we own…

Older gentlemen—second wave Jitterbugs—with

muscle memory of Lindy Hop to Bebop honor the

Moment. They select skilled younger partners to

Swing, spin, twirl; showing off middle year bodies

more beautiful than perfect: cleavage, calves and

sculpted thighs revealed as colorful knee-high skirts rise

Maybe they couldn’t keep Malcolm alive or hold on to

Houses grandparents paid off. But tonight they hold

on to one another—hold on to Charlie Parker—Bird

with strings attached…

Former forklift driver/warehouse worker/janitor, Raymond Nat Turner is a NYC poet; BAR's Poet-in-Residence; and founder/co-leader of the jazz-poetry ensemble UpSurge!NYC. You can Vote for his work at:

GoFundMe: https://www.gofundme.com/f/the-town-criers-big-tooth-fund

PayPal: paypal.me/towncrierRNT

© 2021. Raymond Nat Turner, The Town Crier. All Rights Reserved.

Music

Do you need and appreciate Black Agenda Report articles? Please click on the DONATE icon, and help us out, if you can.

More Stories

Editors, The Black Agenda Review
STATEMENT: By the Minister for Foreign Affairs of France, Dominique de Villepin, on the situation in Haiti, 25 February 2004
28 Feb 2024
Remembering France’s odious participation in the 2004 coup d’etat in Haiti.
Jemima Pierre, BAR Editor and Contributor
Haiti: 20 Years After the Coup
28 Feb 2024
Jemima Pierre’s presentation at a forum to commemorate the US-France-Canada-sponsored 2004 coup d’état in Haiti. The forum was hosted by the Center for Caribbean Studies at the University of Toronto…
Ann Garrison, BAR Contributing Editor
Investigations of Attacks on the Eritrean Diaspora Are Underway
28 Feb 2024
Ann Garrison spoke to Eritrean British attorney Feven Yemane regarding attacks on Eritrean diaspora festivals and gatherings and the investigations underway.
Raymond Nat Turner, BAR poet-in-residence
United Nations Negroz
28 Feb 2024
"United Nations Negroz" is the latest poem from our Poet-in-Residence, Raymond Nat Turner.
Joseph Sturgeon
The Exploitation Zone: The Caribbean as a Site of Imperialist Extraction, Western Paradise, and Labor Exploitation
28 Feb 2024
From the moment the first colonizers arrived in the Caribbean, the West has treated the region as a treasure chest for resource extraction and labor exploitation.