Bird, strings, Big Chief: 100: Harlem (For Charlie Parker/Donald Harrison/Harlem Symphony Orchestra) | Black Agenda Report

Bird, strings, Big Chief: 100: Harlem (For Charlie Parker/Donald Harrison/Harlem Symphony Orchestra)

Raymond Nat Turner, BAR poet-in-residence

08 Sep 2021

🖨️ Print Article

Photo: Janine Robinson

Bird, strings, Big Chief: 100: Harlem

(For Charlie Parker/Donald Harrison/Harlem Symphony Orchestra)

Gathering witnesses bearing beautiful collisions—

Kansas City, New Orleans, Harlem—in Harlem. Only

Harlem fetes YardBird in Marcus Garvey Park. Only

Harlem has Big Easy Chief of Congo Nation do the

honors. It’s still a COVID 19 scene and Black masking’s

an act of communal resistance…

It’s still a COVID 19 scene and the virus’s variations

are playing “Giant Steps” within Monk’s complicated

compositions. It’s still a COVID 19 scene and greed

driven confederate governors are playing with lives;

Playing simple songs sounding like “Mississippi Hot-

dog”/“Twinkle Twinkle Little Stars and Bars…”

Spy Boys check Jazz Tribe temps and statuses.

They buy Big Chief time to procure and secure

Suspenders; adjust his invisible headdress and

prepare sacred songs for meeting The Peoples’ Tribe.

Charlie Parker’s music’s magic—Blues magnet gathering

grassroots, salt of the earth—Harlem’s finest—like

shavings of steel hardened by white heat and hammer

A drizzle decrescendos and morphs into the perfect

prelude, into micro climate mist—handing humidity a

rare defeat. The weather’s a bittersweet reminder of

Impermanence. Change—spiraling lower to higher—birth

to death; reminding us who are “Just Friends,” “Now’s

The Time” to connect—this evening’s the only time we own…

Older gentlemen—second wave Jitterbugs—with

muscle memory of Lindy Hop to Bebop honor the

Moment. They select skilled younger partners to

Swing, spin, twirl; showing off middle year bodies

more beautiful than perfect: cleavage, calves and

sculpted thighs revealed as colorful knee-high skirts rise

Maybe they couldn’t keep Malcolm alive or hold on to

Houses grandparents paid off. But tonight they hold

on to one another—hold on to Charlie Parker—Bird

with strings attached…

Former forklift driver/warehouse worker/janitor, Raymond Nat Turner is a NYC poet; BAR's Poet-in-Residence; and founder/co-leader of the jazz-poetry ensemble UpSurge!NYC. You can Vote for his work at:

GoFundMe: https://www.gofundme.com/f/the-town-criers-big-tooth-fund

PayPal: paypal.me/towncrierRNT

© 2021. Raymond Nat Turner, The Town Crier. All Rights Reserved.

Music

Do you need and appreciate Black Agenda Report articles? Please click on the DONATE icon, and help us out, if you can.

More Stories

Editors, The Black Agenda Review
SERMON: The “Pet Negro” System, Zora Neale Hurston, 1943
19 Jun 2024
Zora Neale Hurston’s sermon on the “Pet Negro” system provides devastating and timely insight into the psychology of Black folk working in the service of white power. Preach, Sister Zora!
Ann Garrison, BAR Contributing Editor
The Case for Palestine
19 Jun 2024
Dan Kovalik’s new book makes a case for Palestine.
Jacqueline Luqman
Defeat The Fascist War On African People In The US And Abroad!
19 Jun 2024
The struggle to defeat the war on African people can be understood through an analysis of the ongoing relationship between African people and the state.
Communist Party of Kenya
Unmasking Ruto’s Betrayal and Mobilizing for Kenya’s Sovereignty and Justice
19 Jun 2024
Kenyan President William Ruto, despite his posturing as a strong leader for the people, has betrayed the masses time and time again. His neoliberal policies and allegiance to the imerperialist west…
Janvieve Williams Comrie , Mauri Balanta Jaramillo
The Intersection of Vulnerability and Power: The Case of Francia Márquez
19 Jun 2024
Francia Marquez's rise to Colombia's vice presidency has put a target on her back, but she also brings with her hope for a real change in Colombian politics. As in the U.S., Black political…