Slutty Professor Strikes Again!
by BAR poet in residence Raymond Nat Turner
Ronald Reagan once called the presidencey "the role of a lifetime." The current occupant of the White House has proven that he is no slouch either at role playing and reinventing himself as he goes along...
by BAR poet in residence Raymond Nat Turner
He word-o-boarded his way West with walls of Wordsâ
Did his dissertation on: âThe Unpacking of Thirty Pieces of
Silver In Rejuvenation of Judas In The Age of Empire: Multi-
modal Mule Dung Deploying Sesquipedalian Stink Bombs In
Ideological Warfareâ
He invented of the Wink-Wink, Nod-Nod Code for covering
The Commanderâs flank in theaterâstupid Wall Street âwhiteâ
boys couldnât detect the Commanderâs coded wink-wink, Nod-
Nod communication with Black folk!
He apologizes for âsignatureâ strikes on Afghan grandmothers,
incinerated while gardening okra with grandchildren; He
Apologizes for âsignatureâ strikes on wedding parties blown
to bits on joyous occasions; He apologizes for Egyptian youth
losing eyes, lives and relative freedom in Bomb Gates-guided
counterinsurgency
He apologizes for 15-22 thousand Palestinians slaughtered in white
phosphorus-shrouded weapons-testing. He apologizes for Somali
Fishermen whacked during the Commanderâs first days, and for
Ghost detainees haunting Gitmo 8 yrs after the Commander closed itâŚ
He apologizes for Occupy pepper-spray, baton blows and plastic
cuffs cutting of circulation; He apologizes for Ferguson, Chicago,
Baltimore Black youth caught in cumulus clouds of teargas, reign of
rubber-coated bullets, between Panzer Divisions deployed against them
Class struggle is flaring up like Nigerian oil wells; empireâs bases
Infest the world like buzzing beehives pollinating wars foreign and
Domestic. And there is no shame in the Slutty Professorâs gameâ
getting his black site groove on: Limbo with the Golda-plated Iron
Lady, waiting on wings of a Predator droneâŚ
Raymond Nat Turner Š 2015 All Rights Reserved
The mythology that Thanksgiving nurtures is itself inherently evil.
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This book looks at the collision of race and class in a repressive time, in this case the late 1950s.
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Democratic community control of the police transforms the power dynamic between police and citizens.
