by BAR poet in residence Raymond Nat Turner
in which the poet muses upon the landscapeve in which urban pioneers thrive
Oink
by BAR poet in residence Raymond Nat Turner
I saw Satan high on Seconal—‘Red
Devils’—zap an app for zombie-settlers.
Then they came by covered wagon,
stagecoach, horseback—bathed, and
reinvented themselves as programmers,
humans, condo-owners.
I saw rent refugees morph into miserable
Monsters—vapid vampires sucking soul,
air and chocolate out Tha Town. I saw them
turn into werewolves on Lakeshore, pushing
porcelain babies in thousand dollar strollers;
stressed-out Yogis practicing purse-clutching,
street-crossing, stink-eye Spiritualism on children
and grand-children of seventy-year residents.
I saw Dadaists driving drunk the wrong way on
10K gold-paved streets, killing dance masters,
like policemen gunning down painters as a form
of critique
I saw the Best Burrito Shop, The5th Amendment,
and Africa By The Bay run off The Ave; their places
Taken by caffeine shooting galleries and Boer beer
bars for rent refugees trekkking 13 miles, bringing
Butte with them.
I saw nextdoor.com Nazi-NSA impersonators circle
laager between OPD cruisers and string yellow tape
around drumming, dancing, BBQing, singing Gospel
and other verbs modified by the phrase: “…while Black”
Raymond Nat Turner © 2015 All Rights Reserved
Nationalism, racism, sexism, homophobia, and other forms of oppression and exclusion are an integral part of the neoliberal order.
The 1971 raid marks a nationwide militarization of police relations with Black protest groups and Africa Americans as a group.
“If DA Krasner wants to embrace anti-racist principles…then he needs to take an honest look at the facts of Mumia’s case.”
The film framed Hampton as a victim instead of a pro-active freedom fighter and revolutionary.
By the end of its run, Freedomways had become something close to a journal of record of the mid-to-late 20th Century African American freedom movement.
