A Black Agenda Radio commentary by executive editor Glen Ford The international House Negro is a bi-product of 500 years of European plunder and conquest of the planet. When the European Union was threatened by the exit of Britain, “house Negroes of all colors on both sides of the Atlantic acted like their own worlds were coming to end.”
International House Negroes Defend European Union A Black Agenda Radio commentary by executive editor Glen Ford “They like the house that slavery and genocide built, and where global capitalism now rules.”
We can be sure that the British exit from the European Union represents a profound crisis for the global capitalist order. We know this because the Lords of Capital and their political minions and media all over the world are in panic over Brexit. The capitalist order is built on five centuries of European plunder, enslavement, and extermination of the rest of humanity. Blood oozes from every edifice of the European Union – and yet, the victims, and the descendants of the victims of this horrific and ongoing capitalist carnage, often behave as if they have some kind of stake in keeping the old order intact. Like Malcolm X’s house Negroes, their first instinct when they see the master’s house on fire, is to put the fire out. If the master gets sick, they start sneezing. And, when the referendum went against Britain staying in the European Union, house Negroes of all colors on both sides of the Atlantic acted like their own worlds were coming to end.
On Comedy Central’s Daily Show, this week, host Trevor Noah interviewed Cynthia Erivo , who plays Celie in the Broadway production of “The Color Purple.” Noah lampooned those Brits that voted to leave the EU as a bunch of Donald Trumps with Cockney accents. He said nothing about the EU’s pro-corporate, pro-banker austerity policies – maybe because there’s nothing funny about those policies, or maybe because he works for a rich corporation. Noah drew Ms. Erivo into the Brexit discussion. She was born in London to parents who emigrated from Nigeria. She explained her opposition to Brexit, saying, “If my mom didn’t get to the UK, I probably wouldn’t be here right now, on that stage on Broadway.”
“By colonizing Nigeria, the Brits saved her from being born an African.”
Cynthia Erivo is grateful that her West African parents were allowed into Britain, so that she could be born in London and pursue a successful career. Her parents were permitted to settle in Britain because Nigeria was a British colony, and later became part of the British Commonwealth. It actually had nothing to do with the European Union. By Cynthia Erivo’s logic, it was a good thing that Britain invaded, plundered, enslaved, and stole her parent’s homeland. By colonizing Nigeria, the Brits saved her from being born an African. The millions who died in the British conquest of Nigeria, and in the Middle Passage to the America’s, or on the plantations of Virginia or Jamaica, or in forced labor to the British in Nigeria, or who die today in the oil soaked wasteland of the Niger River Delta – all of this past and present suffering and human degradation is balanced out by the fact that a daughter of Nigeria gets to star in a Broadway show. This super-exploitation of Africa made Britain and France and Spain and Belgium and the Netherlands and other members of today’s European Union rich – but Cynthia Erivo and Trevor Noah, the South African, come to the defense of the European Union.
They like the house that slavery and genocide built, and where global capitalism now rules. They fear anything that might create disorder in the House of Europe, just as their counterparts in Black America fear anything that might disturb the tranquility of the U.S. ruling class and its institutions. The House Negroes are truly international, always ready to put out fires in their masters many houses around the globe.
For Black Agenda Radio, I’m Glen Ford. On the web, go to BlackAgendaReport.com.
It is imperative for independent journalism to serve as the media arm of a movement that opposes the privatization of information and works toward the development of a public media apparatus.
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