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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
It doesn't matter if China and Caribbean nations may want to have friendly relations and economic cooperation. Washington wants nothing of the sort and undermines what could be mutually beneficial…
Kenya has chosen its side. That nation has agreed to give cover for the next occupation of Haiti by providing a Black face for imperialism.
U.S. and African puppet regime threats against Niger and all African states must be condemned.
As the U.S. and France move to interfere in the Sahel region of West Africa, Niger, Guinea and Mali have spoken up to defend their sovereign rights and declare their determination to be free from…
A hotel workers strike in California exposes anti-Black hiring practices, and the predation of the "gig" economy.
