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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
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Eritrea has been the target of a media campaign orchestrated by the US and its allies who act in collusion with corporate media. These narratives demonize Eritrea and seek to weaken this country…
The Kenyan government has been temporarily blocked from sending a police force to occupy Haiti, a U.S. instigated plot to undermine the sovereignty of that nation.
In this series, we ask acclaimed authors to answer five questions about their book. This week’s featured author is Daniel McNeil. McNeil is a professor in the Department of History at Queen’s…
The indictment of the Uhuru 3 is part of a long history of persecution and prosecution of the Black liberation movement.
