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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
In this week’s segment, we discuss past and present U.S. imperialism, analyzing struggles to protect Venezuela’s Bolivarian Revolution and to bring independence to Puerto Rico.
Dr. Gerald Horne joins us from Houston to discuss his latest work, The Counter Revolution of 1893: The Hawaii Coup and the Roots of U.S. Imperialism in the Asia-Pacific Basin. He connects 19th-…
Brianna Alvarado Ramos of Diaspora Pa’lante Collective discusses the challenges of the revolutionary struggle in Venezuela and the fight for Puerto Rico's independence from U.S. colonialism.
Iran 2026: Black Agenda Report Special Issue
BAR Editor and Columnist Ajamu Baraka joined BettBeat Media, alongside Dr. Gerald Horne, to discuss the US imperialist campaign against Iran amid the ongoing genocide of Palestinians and how the same…
