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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
The agreement was signed by more than a dozen right-wing and far-right Latin American governments and ensures Washington’s dominance and leadership in the Americas.
This week’s segment is devoted to the United States latest war of aggression against the Islamic Republic of Iran. We hear the perspectives of a U.S. based activist and organizer with Black Alliance…
Navid Zarrinnal is an Iranian journalist and host of The Colony Archive podcast. He joins us from Tehran to discuss the US and Israeli aggression and explains why the left must be in solidarity with…
The United States attack on the Islamic Republic of Iran began on February 28. Our guest provides analysis on this U.S. aggression from an anti-imperialist and Black left perspective. Erica Caines is…
The U.S. is careening towards economic and military disaster, a moment when the Black radical tradition is missing but badly needed.
