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Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Giving Juneteenth the imprimatur of a state stamp of approval makes it problematic, and no longer the people’s holiday it has been for nearly 100 years.
The Biden administration and congress work together in their efforts to secure what they think is U.S. domination. They are playing a dangerous game and now try to bring back a draft through sleight…
Zora Neale Hurston’s sermon on the “Pet Negro” system provides devastating and timely insight into the psychology of Black folk working in the service of white power. Preach, Sister Zora!
Dan Kovalik’s new book makes a case for Palestine.
The struggle to defeat the war on African people can be understood through an analysis of the ongoing relationship between African people and the state.
