If you don't see the video above, click here.
Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Black Agenda Report contributor, Jon Jeter joins us from Washington to talk about his new book, "Class War in America: How the Elites Divide the Nation By Asking Are You a Worker or Are You White?"…
Leah Goodridge is a tenants’ rights attorney, a writer, and a member of New York City’s City Planning Commission. She joins us to discuss New York City Mayor Eric Adams' recently passed housing…
The U.S. edges closer to hot war and continues aiding and abetting a genocide. Censorship and war propaganda are necessary tools when a rogue state chooses to silence its opponents.
“The Seminoles had set a dangerous example, for if Blacks and Native Americans united everywhere in the Americas, then a genuine racial democracy might emerge.”
The West’s dominant media tell us little about Hamas' history or ideology, relying instead on “terrorist” clichés. This new book cuts through them to explain.
