If you don't see the video above, click here.
Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
Despite selling out Haiti, former Haitian leftist Gerard Pierre-Charles’s 1983 diagnosis of the imperialist assault on current movements still resonates today.
Both class and color barriers were broken down during the Michael Manley era, but class barriers re-emerged.
Over a month after the killings of four young boys in Ecuador, now known as the Guayaquil Four, the community is still reeling but is also activated. This case has sparked a movement that is…
In this series, we ask acclaimed authors to answer five questions about their book. This week’s featured authors are Tracy Rosenthal and Leonardo Vilchis. Their book is Abolish Rent: How Tenants Can…
for Aiyana, for Tommie, for Jordan.
