If you don't see the video above, click here.
Mae Jackson is a New York City based writer, poet, dreamer and doer whose record of activism on behalf of her people stretches back to SNCC. A founder of Art Without Walls, an art program for the children of imprisoned women, she is well acquainted with the difference between surface change, and fundamental, revolutionary change.
Here are a few minutes of her address to the crowd at May 31, 2009 event memorializing the early 20th century Harlem activist Hubert Harrison, in which she lays out a clear understanding of whose lips move when our First Black President speaks. Referring to some of Barack Obama's widely acclaimed orations at the Democratic convention, atop Lincoln's tomb, and other places, she tells us
“..those wonderful speeches made by the young man from Chicago were actually crafted, that's written, by three young white men 25, 26 and 31 years old. We got the unfortunate opportunity once again to see the world through their eyes. Obama was the spokesperson. Same as when you buy a painting, that doesn't make you the painter...”
She explains how the establishment turned took the politics out of activism, neutralizing and de-politicizing young political activists by turning them into “community organizers."
“The U.S.A. decided to annex Cuba economically and Cuba made history by becoming the first country in the world to be a victim of neocolonialism.”
NBA superstar Victor Wembanyama grapples with the times we’re living in, even as his career takes off.
"War House hosted cage-fighting for 250th what’s next?" is the latest form BAR's Poet-in-Residence.
The Democrat establishment poured millions into protecting its incumbents in New York City, but voters chose progressive anti-genocide challengers. That party will fight against the reality that…
Joshua Reaves-Charmelus spoke with Ben Passmore to discuss the “Freedom 250” UFC event, its meaning, and the broader problem of right-wing fighting culture.
