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Editors, The Black Agenda Review
“I have come to you tonite not just for the stoppage
Raymond Nat Turner, BAR poet-in-residence
Trigger Warning
Palestine’s the
Answer—
What was the
Question?
Raymond Nat Turner, BAR poet-in-residence
Shangri-La—untaxed, socially-distanced champagne-
caviar, Cayman Island, yacht crowds who
Raymond Nat Turner, BAR poet-in-residence
Could the pigment of your imagination
cause Black magic mascots, props, sops—
Black faces in high places—
Raymond Nat Turner, BAR poet-in-residence
“…there are known knowns. There are things
we know that we know. There are known
Raymond Nat Turner, BAR poet-in-residence
“History repeats itself, first as tragedy, second as farce.” —Karl Marx
Raymond Nat Turner, BAR poet-in-residence
"From each according to his ability, to each according to his needs…” —Karl Marx
Raymond Nat Turner, BAR poet-in-residence
“Ain’t no power like the power of the people—
‘cause the power of the people don’t stop!” bouncing
Raymond Nat Turner, BAR poet-in-residence
Raytheon’s craven raven
Co-signing for mass murder:
“Mowing the grass…” Now…
Ladee Blu on a fool’s errand dis-
seminating
Raymond Nat Turner, BAR poet-in-residence
The Mass Shooting Of The Day—
this time was in San Jose…
Do you know the way to San Jose?
More Stories
- Ann Garrison, BAR Contributing EditorThe western nations that Ethiopia previously kow-towed to claim national government forces attacked Tigrayan troops first, when precisely the opposite occurred.
- Raymond Nat Turner, BAR poet-in-residenceShangri-La—untaxed, socially-distanced champagne- caviar, Cayman Island, yacht crowds who Pay nothing for water washing their waste to sewage
- Patrick D. AndersonBell levels a class critique against the Black bourgeoisie, whom he sees as having led Black political protest down the wrong path time and time again.
- Mark P. FancherFrench bullying of Africa has been driven entirely by self-interest and greed.
- Roberto Sirvent, BAR Book Forum EditorThis book analyzes Early Modern English Drama as a form of cultural production in which the paradigm of Early Modern England was shifting to account for encounters with black Africans.